Canadian readers have enjoyed their own graphic satire since colonial times and Canadian artists have thrived as they took aim at the central issues and figures of their age. Graphic satire, a combina- tion of humorous drawing and text that usually involves caricature, is a way of taking an ethical stand about contemporary politics and society. First appearing in short-lived illustrated weeklies in Montreal, Quebec City, and Toronto in the 1840s, usually as unsigned copies of engravings from European magazines, the genre spread quickly as skilled local illustrators, engravers, painters, and sculptors joined the teams of publish- ers and writers who sought to shape public opin- ion and public policy. A detailed account of Canadian graphic satire, Sketches from an Unquiet Country looks at a cen- tury bookended by the aftermath of the 1837–38 Rebellions and Canada’s entry into the Second World War. As fully fledged artist-commentators, Canadian cartoonists were sometimes gently ironic, but they were just as often caustic and vio- lent in the pursuit of a point of view. This volume shows a country where conflicts crop up between linguistic and religious communities, a country often resistant to social and political change for women and open to the cross-currents of anti- Semitism, xenophobia, and fascism that flared across Europe and North America in the early twentieth century. Drawing on new scholarship by researchers working in art history, material culture, and com- munication studies, Sketches from an Unquiet Country follows the fortunes of some of the artists and satiric themes that were prevalent in the centres of Canadian publishing. Dominic Hardy is professor of Quebec and Canadian art history and historiography at the Université du Québec à Montréal. Annie Gérin is professor of modern art history at the Université du Québec à Montréal. Lora Senechal Carney is an art historian specializ- ing in twentieth-century Canadian art history and the author of Canadian Painters in a Modern World, 1925–1955: Writings and Reconsiderations. 2 3 M Q U P S P R I N G 2 0 1 8 C A N A D I A N H I S T O R Y • A R T H I S T O R Y Sketches from an Unquiet Country Canadian Graphic Satire, 1840–1940 edited by dominic hardy, annie gérin, and lora senechal carney Graphic satire in Canada – from rebellious colony to independent nation preparing for war. S P E C I F I C AT I O N S McGill-Queen’s/Beaverbrook Canadian Foundation Studies in Art History May 2018 978-0-7735-5341-5 $39.95A CDN, $39.95A US, £33.00 paper 978-0-7735-5340-8 $120.00S CDN, $120.00S US, £99.00 cloth 7 x 10 312pp 86 drawings eBook available