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Needle WorkA History of Commercial Tattooing in Canada |
eBook Available
An original history of those who made tattooing their livelihood.
In 1891 J. Murakami travelled from Japan, via San Francisco, to Vancouver Island and began working in and around Victoria. His occupation: creating permanent images on the skin of paying clients.
From this early example of tattooing as work, Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing’s place within wider society, Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career.
Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered.
From this early example of tattooing as work, Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing’s place within wider society, Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career.
Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered.
Details
Part of the McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History Series (number 44 in series)
424 Pages, 7 x 10
153 photos, colour throughout
ISBN 9780228021988
June 2024
Formats: Cloth, eBook
“This meticulously researched volume is essential reading on the understudied development, practice, business, and (art) history of commercial tattooing in Canada. As the first book dedicated to the subject, Needle Work breaks new theoretical ground on mechanized body marking and honours the contributions of groundbreaking and long-forgotten tattoo practitioners working north of the American border.” Lars Krutak, author of Tattoo Traditions of Native North America: Ancient and Contemporary Expressions of Identity
“Joseph ‘Sailor Joe’ Simmons would probably be pissed off that you don't recognize his name. Canadian-born Simmons hustled his way across North America during the early to mid-twentieth century, showing off his world-record number of tattoos, organizing a ‘Pigmy Village’ exhibition, and marketing his ‘positively painless’ tattooing method to the public while evading the FBI and RCMP. Simmons’s story is just one of the threads woven through Jamie Jelinski's Needle Work. Wonderfully illustrated, it is the first study devoted entirely to the development of Canada’s rich modern tattooing tradition. Jelinski introduces the reader to a cast of innovators, agitators, and entrepreneurs including the likes of Keith Stewart, Gary LeMarchant, Clément Demers, Charlie White, ‘Sailor Pancho,’ ‘Doc Forbes,’ ‘Circus Leo,’ and Frederick Abraham Baldwin, drawing from the art, lives, and businesses of these and other tattooists to explore the twentieth-century trajectory of professional tattooing in Canada. A must-have for researchers, students, and tattooists wanting to better understand the history of this line of work.” Aaron Deter-Wolf, co-editor of Ancient Ink: The Archaeology of Tattooing
“A landmark publication that takes the tattoo industry as a subject for serious, extended art historical study. Needle Work is a vibrant, compelling combination of excellent archival research, careful and innovative methods, and focused visual analysis. By locating his study in Canada, Jelinski takes a deep dive into a tattoo scene about which little is known even within the industry, placing it into conversation with tattooing in the United Kingdom, in the United States, and around the world. The book has much to reveal not only about tattooing, but about human lives in general.” Matt Lodder, author of Painted People: Humanity in 21 Tattoos
Test
“Joseph ‘Sailor Joe’ Simmons would probably be pissed off that you don't recognize his name. Canadian-born Simmons hustled his way across North America during the early to mid-twentieth century, showing off his world-record number of tattoos, organizing a ‘Pigmy Village’ exhibition, and marketing his ‘positively painless’ tattooing method to the public while evading the FBI and RCMP. Simmons’s story is just one of the threads woven through Jamie Jelinski's Needle Work. Wonderfully illustrated, it is the first study devoted entirely to the development of Canada’s rich modern tattooing tradition. Jelinski introduces the reader to a cast of innovators, agitators, and entrepreneurs including the likes of Keith Stewart, Gary LeMarchant, Clément Demers, Charlie White, ‘Sailor Pancho,’ ‘Doc Forbes,’ ‘Circus Leo,’ and Frederick Abraham Baldwin, drawing from the art, lives, and businesses of these and other tattooists to explore the twentieth-century trajectory of professional tattooing in Canada. A must-have for researchers, students, and tattooists wanting to better understand the history of this line of work.” Aaron Deter-Wolf, co-editor of Ancient Ink: The Archaeology of Tattooing
“A landmark publication that takes the tattoo industry as a subject for serious, extended art historical study. Needle Work is a vibrant, compelling combination of excellent archival research, careful and innovative methods, and focused visual analysis. By locating his study in Canada, Jelinski takes a deep dive into a tattoo scene about which little is known even within the industry, placing it into conversation with tattooing in the United Kingdom, in the United States, and around the world. The book has much to reveal not only about tattooing, but about human lives in general.” Matt Lodder, author of Painted People: Humanity in 21 Tattoos
Test
Jamie Jelinski is an interdisciplinary scholar of visual culture. He lives in Montreal.
Acknowledgments | vii
INTRODUCTION
“Not the Type of Profession You Could Pursue in a Trade
School”: Understanding Commercial Tattooing | 3
“What Happened in the Tattoo Shop?”: Regulation and
Resilience across Canada, 1881-1989 | 41
Who and Where Was “Sailor Joe”? Media, Amusement,
and Investigation by the FBI and RCMP, 1887-1981 | 89
“Samples Can Be Seen on the Premises”: Changing Spaces
in Victoria and Vancouver, 1891-1983 | 141
“To Heighten the Effect”: Relations between Visual Art
and Tattooing in Halifax, 1894-1979 | 197
“An Artist’s View of Tattooing”: Aba Bayefsky in Toronto
and Japan, 1970-1995 | 255
EPILOGUE
“Everybody Is the Type”: Tattoo Conventions and a Century
of Commercial Tattooing in Canada | 293
Figures | 305
Notes | 313
Bibliography | 367
Index | 395
INTRODUCTION
“Not the Type of Profession You Could Pursue in a Trade
School”: Understanding Commercial Tattooing | 3
“What Happened in the Tattoo Shop?”: Regulation and
Resilience across Canada, 1881-1989 | 41
Who and Where Was “Sailor Joe”? Media, Amusement,
and Investigation by the FBI and RCMP, 1887-1981 | 89
“Samples Can Be Seen on the Premises”: Changing Spaces
in Victoria and Vancouver, 1891-1983 | 141
“To Heighten the Effect”: Relations between Visual Art
and Tattooing in Halifax, 1894-1979 | 197
“An Artist’s View of Tattooing”: Aba Bayefsky in Toronto
and Japan, 1970-1995 | 255
EPILOGUE
“Everybody Is the Type”: Tattoo Conventions and a Century
of Commercial Tattooing in Canada | 293
Figures | 305
Notes | 313
Bibliography | 367
Index | 395
