SCAR/CITY

SCAR/CITY asks why the housing crisis is so costly to our souls and wellbeing.

Table des matières

Table des matières

and walking is thinking I 3
scar/city 4
and walking is thinking II 16
city c o n v e r s a t i o n s 17
and walking is thinking IV 29
shortcutting 30
Trans Am Totem (what does a piece of art? 33
159 Hastings (golden age neon 37
and walking is thinking VII 41
adver/city 42
and walking is thinking III 56
adver/city II 57
the cold winter took a long time 70
and walking is thinking V 71
con/versions 73
and walking is thinking VI 83
con/versions II 85
and walking is thinking VIII 98
(in the nightmares of nomenclature 99
asp.halt spring 102
a walk d.own apostrophe lane 103
city of reFlexions 105
defining our terms 107
and walking is thinking X 110
this falling 112
what we leave at eternity’s door 114
time unspools us 116
and walking is thinking IX 119
dying for answers 121
fragmented | summer 123
wednesday. rainfall. 125
:timeline: postmortem: 127
:g/loss/ary: 137
:sources: 141
:acknowledgments: 147
:under construction: 148

When the trees came down no one knew how / to interpret the light. homeless / it bounces off glass surfaces / pierces the wandering eye-
These poems walk streets and take snapshots of the impact financialization of our homes has on our sense of community and belonging.
Meandering through physical and philosophical materials - cement, memory, water, narrative, history, sand, light, concrete, and others’ voices - Daniela Elza documents this urgent moment. The reader winds through fragments amidst urban fragmentation. A sequence of triptych poems hearkens to silos, skyscrapers, and streets. Readers here have a choice: they can read across the page or down. She channels Syrian architect Marwa Al-Sabouni, who says, “The fabric of our cities is reflected in the fabric of our souls.” SCAR/CITY emerges from the Vancouver context to take on global issues of predatory finance and a market that mines homes for profit. It steps outside of binary conversations in favour of poetic reflection and interrogates a system that results in perceptible depravity and scarcity, which leaves us homeless, metaphorically and literally.
French philosopher Gaston Bachelard says, “The space we love is unwilling to remain permanently enclosed … Space calls for action, and before action, the imagination is at work.” Amidst negotiations and advocacy in the fight for security of tenure and lease renewal, SCAR/CITY is a poetic call to action.

“In SCAR/CITY, Daniela Elza creates a disturbing and very real portrait of urban displacement. Through fractured words and the use of space itself, she allows her readers to physically experience urban life as so many of us know it: the destabilization of community, nature, home, and human dignity in the face of greed-driven, relentless development. This is a work for our times, revealing the heavy human and natural toll exacted by the financialization of housing, documenting not just the physical erasure of neighbourhoods but also the deeper spiritual costs. Elza’s poetry will move you to reflect deeply, to mourn loss, and, through poetic persuasion, to defend what’s left.” Leilani Farha, The Shift

"A riveting collection, precisely right for this cultural moment: Daniela Elza’s assemblage of grief and rage is transmuted onto the page into beautiful lines that break, unfold, and then re-inhabit space. Shivers of recognition accompanied my reading. This is poetry as an invitation to both action and contemplation: What is home and how will it endure for us? How will we live in our cities, in places we can afford? These poems serve as way-finders for anyone passionate about land use, urban planning, and community survival." Renée Sarojini Saklikar, author of Children of Air India

"Readers of SCAR/CITY will be moved by its tenacity and purpose in bringing poetic expression to the ongoing housing crisis in Vancouver." British Columbia Review

“These poems—on the tough topic of community and the forces that break it—dance through the streets with characteristic pitch-perfect timing, self-awareness, and sheer lyric exuberance.” The British Columbia Review

  • Sélectionné, George Ryga Award for Social Awareness in Literature 2026
  • Gagnant, Sunshine Coast Writers and Editors Society Book Award for BC Authors 2026
  • Sélectionné, City of Vancouver Book Award 2026