Queer Atlantic

Masculinity, Mobility, and the Emergence of Modernist Form

A nuanced examination of masculine privilege, mobility, and the queer possibilities of desire in Anglo-American modernist fiction.

240 pages, 6 x 9 inches
Paperback : 9780228005674, January 2021
Hardcover : 9780228005667, January 2021
Ebook (EPUB) : 9780228006046, January 2021
Ebook (PDF) : 9780228006039, January 2021

Table of Contents

Table of Contents

Acknowledgments ix
Abbreviations xi
Introduction 3
1 Impressed into Service: Mobilizing Desire in Herman Melville’s Billy Budd, Sailor 24
2 Queer Wanderings: Transatlantic Piracy and Narrative Seduction in Robert Louis Stevenson’s The Master of Ballantrae 56
3 “A Question of an Imperium”: Queer Imperialisms in Henry James’s The Golden Bowl 87
4 A Tale of the Seaboard: Erotic Geographies and Interstitial Masculinities in Joseph Conrad’s Nostromo 117
5 “Those Queer Effects of Real Life”: Impressionism, Desire, and the Transatlantic in Ford Madox Ford’s The Good Soldier 149
Conclusion: Queer Atlantic Modernism 179
Notes 201
Works Cited 207
Index 221

The instability of modernist form has everything to do with the social, political, and economic shakeups of the nineteenth century that left masculinity a site of contestation, racial anxiety, homophobic paranoia, performative display, and queer desire. Refusing to take white masculinity for granted, Daniel Hannah considers how the canonical novels of modernist fiction explore the ways that privilege is propped up and driven by factors of race, place, gender, and sexuality.
Queer Atlantic examines the work of established writers – Herman Melville, Robert Louis Stevenson, Henry James, Joseph Conrad, and Ford Madox Ford – to reveal that anxieties surrounding white, masculine privilege and queer potential helped broaden the novel's formal possibilities. Demonstrating how masculine mobility, and often specifically transatlantic mobility, both enacts and queerly disorients male privilege, Hannah places these writers in the context of debates about naval impressment, piracy, emigration, colonization, and the "new imperialism." In the process he raises important questions about the current field of queer ethics, highlighting the strange companionship of queer openness to otherness and imperialist thought in modernist writing.
Arguing for the surprising resilience of such fictional structures, Queer Atlantic provides a new understanding of modernism's emergence from a troubling of masculine privilege, mobility, and desire.

"The author does well in broadening the reader's understanding of inequality and addresses key concerns. A valuable contribution to the literature on queerness, masculinity, and gender broadly. Highly recommended." Choice

"Focused, well-written, and ambitious in its inclusion of writers ranging from Melville to Ford, Queer Atlantic makes original and important contributions to the fields of modernist studies, queer theory, masculinity studies, and transatlantic literary studies." Benjamin Bateman, University of Edinburgh and author of The Modernist Art of Queer Survival