Timely Voices

Romance Writing in English Literature

A reassessment of romance as a resource and strategy of writing that transformed itself across time and texts, and that fascinated writers from medieval to modern times.

Edited by Goran Stanivukovic

Table of Contents

Table of Contents

Acknowledgments | ix
Introduction: Timely Voices: Romance Writing in English Literature | 3
Goran Stanivukovic
PART ONE: Narration and Transformation
1. The Knight and the Hermit: Crossing the Reformation | 39
Helen Cooper
2. Straggling Plots: Spenser’s Digressive Inventions in The Faerie Queene | 60
John H. Cameron and Goran Stanivukovic
3. Milton and the Resource of Romance | 88
Colin Lahive
PART TWO: Magic and Wonder
4. Malory, Merlin, and the Contrivances of “a Devyls Son” | 113
David Rollo
5. Ireland, Wales, and Faerie: The Otherworld of Romance and the Celtic Literatures | 140
John Carey
6. Instances of the Everyday: Romance beyond Wonder | 159
Nandini Das
PART THREE: Reformation and Mediation
7. The “Romance” of Nostalgia in Some Early Medieval Irish Stories | 183
Joseph Falaky Nagy
8. Uncanny Romance: William Morris and David Jones | 199
Marcus Waithe
PART FOUR: Transmission and Circulation
9. Dramatizing Heliodorus | 221
Helen Moore
10. Pericles and Polygenres | 238
Steve Mentz
11. Anthony Munday’s Zelauto: Illustration and Reading in the Later Elizabethan Romance | 257
Stuart Sillars
PART FIVE: Aesthetics and the Politics of Form
12. Pamela’s Purse: The Price of Romance in Sir Philip Sidney’s Arcadia | 281
Catherine Bates
13. “Romancy-Ladies”: Aesthetics, Ideology, and Romance in Mid-Seventeenth-Century Writing by Women | 299
Hero Chalmers
14. “The Visions of Romance Were Over”: Recollections of a Golden Past in Jane Austen’s Northanger Abbey | 317
Sara Malton
Afterword | 339
Patricia Parker
Contributors | 351
Index | 357

From the fourteenth-century Sir Gawain and the Green Knight to In Parenthesis - an epic poem written in 1937 by painter and poet David Jones - English writers have looked to romance as a resource and a strategy to expand the imaginary reach of their writing.
Rethinking the resilience, purpose, and place of romance in English literature, Timely Voices discusses moments that have altered how we read and interpret this ever-changing form. Addressing the various ways in which romance has absorbed and been absorbed by drama, prose, and poetry, contributors to this volume demonstrate that romance texts do not produce something defined or confined by a static genre, but rather express a repository of creative possibilities. Covering writers including the anonymous author of Sir Orfeo, Jane Austen, Geoffrey of Monmouth, Lucy Hutchinson, William Morris, Philip Sidney, William Shakespeare, and Edmund Spenser, essays explore the magic and wonder of romance, Irish and Gaelic lore, how woodcuts in early books complement and extend printed text, how romance was dramatized, how it gives language to feminist politics and ideology, and how it becomes a counterpoint to finance in the fiction of the early Romantic period.
A nuanced reinterpretation of romance in its own terms, Timely Voices inspires new appreciation of this form as a solution to textual, aesthetic, structural, ideological, and political problems in literature.

"The accessibility of Timely Voices makes it a valuable resource to experts, non-specialists, and graduate students alike. "Romance" is a generative framework that continually reinvents central elements of medieval writing. Stanivukovic makes a compelling argument for the longevity of romance as a tactic—one that recognizes the potentiality of "romance" to create new spaces that transcend generic and temporal divisions. Timely Voices makes for a pleasurable read that creates space for new insights." Renaissance and Reformation / Renaissance et Reforme

"Treating romance as a process rather than a strict generic category, this book addresses romance in a wide range of historical moments in English literature. Timely Voices very helpfully sets out a variety of ways in which romance can be viewed, effectively undoing the limitations of a generic definition." Deanne Williams, York University

"As individual pieces, the essays in this book are engaging, intellectually substantial, well-written, and well-researched. Taken all together, they make a compelling case for a new understanding of the rich and important role that romance tropes, narratives, and characters have played over centuries of English literature." Ian Moulton, Arizona State University